Exploring scent as
a creative way of life

Analogy

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There is, as it were, an octave of odors like an octave in music; certain odors coincide, like the keys of an instrument. Such as almond, heliotrope, vanilla, and orange-blossoms blend together, each producing different degrees of a nearly similar impression. Again, we have citron, lemon, orange-peel, and verbena, forming a higher octave of smells, which blend in a similar manner. The metaphor is completed by what we are pleased to call semi-odors, such as rose and rose geranium for the half note; petty grain, neroli, a black key, followed by fleur d'orange. Then we have patchouli, sandalwood, and vitiver, and many others running into each other.

Septimus Piesse
perfumer
Source ↓

Piesse, G. W. S. (1867). The art of perfumery and the methods of obtaining the odors of plants. Philadelphia - Pa: Lindsay & Blakiston, p.45.

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Volatile molecules are to perfumers what music notes are to music composers and colours to painters.

Christophe Laudamiel
perfumer
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Laudamiel, C. (2010). Perfumery—The Wizardy of Volatile Molecules. In A. Herrmann (Ed.), The Chemistry and Biology of Volatiles (pp. 291–305). Wiley, p. 291.

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Similarly, both the visual concept and the chemical formula involve using analogies. Yet only the visual concept is a driver of innovation, being based on an embodied cultural schema whose representation grounds innovations. The chemical formula, in other words, is empty of deeper meaning, and can only specify or represent aspects of the scent (although it does provide a limiting factor, based on the formulaic combinations known or archived by the perfumers). This is why, in the scent-formula interaction, adjustments are made to both artifacts, while in the scent-visual concept relation, the visual concept is fixed and only the scent is allowed to vary. The anchoring of the visual concept in a foundational schema means that, while both visual stimuli are sources of variability, only the visual concept is a source of innovation, in the above sense of a rediscovery and recombination of shared meaning.

Gazi Islam, Nada Entrisset & Claus Noppeney
organization scholars
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Islam, Endrissat, & Noppeney (2016). Beyond «the Eye» of the Beholder: Scent innovation through analogical reconfiguration. Organization Studies, 37(6) 769–795.

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